From Weski's The Tender Cruel Camera-
Eggleston's apparently offhanded pictures of suburban Memphis were not imitations of Evans' photography, but these artists derived from his example the courage to use the medium directly, to let its idiosynchrasies, its informalities, and its candor lead them to the distillation of their own private realities. All acknowledged his influence.'
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I want to acknowledge the influence of any image I have ever seen previous the creation of my own interpretation.
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